Codename Delta Epsilon
Description: WIP of a space construction/trading scene above a semi watery planet for a side project codename Delta Epsilon
Here are some recent mechanical sketches to share ranging from biomimetic robotics, to bio organic walkers and of course scifi spacecraft
starting with the Mars Daywalken
starting with the Mars Daywalken
After a long while in terms of self imposed Sci-Fi exile, for one reason or another, it is good to return to the roots that started it all in digital painting. In particular, I quite adore the illustration styles of early space illustration styles and thus here is a ode to John Berkey
Notes: In the distant future of Mankind, assuming we achieve sufficient conscious mass to collectively reach beyond the stars, and put our petty squabbles aside somewhat - I'd imagine there would be all sorts of explorers whereby the seemingly infinite vastness of interstellar "space" would represent what the Wild West and various undiscovered trails of the Classical World equivalent would come to be.
- interplanetary propulsion (gets you from A to B in a conventional manner)
- interdimensional propulsion (A type 3 civilization might be able to start exploring the 11 dimensions theorized. We have to become a type 1 civ firstly)
- passive propulsion (a mixture of low energy/laser propulsion method which can utilize in effect the cosmic winds, perhaps some advanced perforated meta material to represent solar sails, or a field device that in effect captures certain particles - far more advanced than say a 50-nanometer beryllium sail)
All in all, its good to be back!
2010 - 2011 represented a tidal sea change for Games development in UK & internationally. The closures of traditional studios and AAA content, the rise of digital content and self publishing heralded the change of guard and redrawing of battle lines to win the minds and hearts of the gamer.
Granted the term Gamer, has rapidly expanded to now be inclusive of a large swath of tiered groups loosely redefined as Core, Casual, Social & Online across a plethora of various platforms and hardware.
Gaming in itself has experienced a massive explosion. When you think back 5, maybe 10-15 years ago gaming itself was seen as a niche hobby undertaken by the core gamer. Then consoles and online gaming changed the scene radically, with the traditional doomsayer heralding the death of traditional PC gaming. Likewise with the rise in portable gaming and digital distribution, there are some that bemoan the death of traditional retailers (as epitomised by GAME group going into administration), some camps drinking too much Facebook and digital kool aid harping about the death of consoles and another camp evangalising about the future being about mobile smartphones.
The fact is, the GAMING universe is ever expanding and it is a MASSIVE pie, more than enough for every single living human being with opposable thumbs - from your grandmother to your 5 month old toddler, they are all enjoying interactive entertainment and education so this is truly an exciting time to be in the gaming sphere, with tiers of various game ecologies to co exist (with degrees of overlap)
2012 - The year so far
Fast forward to 2012, and already we have a colourful range of keynotes occuring in gaming history:
- PS Vita gets launched with a solid lineup of software and modest success.
- The new ipad is launched, boasting a "retina display" - although in reality there are no games optimized or built to fully incorporate the upgrades that lurk beneath for higher quality entertainment. In addition, the ipad had a hidden function in the form of a gestural controller to sync with the launch of the eventual Apple TV (launched later this year) - which will further represent Apple's launch into the battle lines traditionally occupied by consoles
- The eventual sad demise of the GAME group came to fore with GAME voluntarily deciding their stock was now worthless following the withdrawal of stock of all the major publishers, epitomised by the withdrawal of Mass Effect 3 and other EA titles. The effect of this is still unfolding as GAME seeks to find solution to repackage valauble aspects of its overall business to resume trading under a new guise (ideally).
- Mass Effect 3 faced a large outcry with certain portions of gamers seeking further closure with the game's ending
- And finally, a first ray of optimism came totally unexpectedly via the UK budget whereby George Osborne announced the formation of a tax breaks for Games, animation and Film industries in teh April 2013 budget. This was followed almost universally by key industry leaders heaping positive praise and cheer (as this represented a U turn from years of govermental rebuttal to the rallying cry to provide a level playing field vs the largely lucrative and immense brain drain of talent overseas)
"Following consultation on the design, the Government will introduce corporation tax reliefs for the video games, animation and high-end television industries from April 2013, subject to State aid approval," reads the official budget report.Tax breaks are a controversial subject and the current cheerleader for its implementation has been the fourfold increase in game jobs, development and economy stimulus enjoyed by Montreal and other related countries eg. France. This in turn stimulates local economy, higher education and R&D, thus pushing forward local technology centres of excellence and future tech.
The report puts the relief for video games at £15 million in 2013-14, and £35 million in 2014-15.
For now, the report is a welcome potential stimulus of things to come, with some folks even commenting a return to a golden era of gaming renaissance in UK thus putting the great back in great Britain.
For this we have to especially thank TIGA's Dr. Richard Wilson for seeing this through and everyone else involved in this tireless campaign to improve our lot for UK PLC.
UK trade association TIGA, which has long campaigned for tax credits said the news is "terrific" for the regions development sector and help contribute UK GDP by £283 million.By the time these tax reliefs can be set in stone, hopefully they will filter through to the many UK startups and local hubs, that together we can collectively benefit as a nation of carbon neutral, high value networth and exciting interactive entertainment companies, with a few sterling IPs built along the way in the hands of the indies, old guard, and publishers all in it together
"Tax relief for the video games sector will increase employment, innovation and investment in the UK video games industry," said TIGA CEO Richard Wilson.
Well done folks, this is just the beginning to be great!
Great to be gaming on in UK!
Seeing as I am probably not allowed to share anything commercial for the next ten thousand years, lets go one better than look at the thought that undergoes the design of design.
Hopefully, this can be more of a interactive conversational aspect that may pique folks interest.
Lets start with a look at sacred cows - IP franchises
How to design/re-design on a existing IP
Above is a comparison of two stills. On the left (Prometheus) and the right (Alien 1979)
When the original film is re reviewed (minus the lens of nostalgia), it stands up to the test of time, admirably well. This is primarily because of good old school basics, good use of live action, miniatures (kit bashed0 built with skill and a good eye of maximising (the most from conventional means - another great example was the recent movie Moon)
Sometimes less is more, and although Alien probably represents cutting edge VFX in 1979, you could say we have advanced the pioneering front further. BUT, in many many ways we have lost (collectively) our cutting edge eye in the unholy name of digital
Digital, is just like another tool, akin to a a saw or a hammer or a screwdriver. Each has its purpose, although sometimes commonsense seems to be lost - much like trying to drill a hole with a screwdriver, instead of a drills or worse, emptying a bathtub with a thimble
Developing a Good Eye
Some of the great visual artist have a rock solid foundation in basic art skills (be this traditional or being able to sketch down one's ideas effectively) and being able to communicate this coherently to the viewer (client)
What is lacking of late, is the critical eye
There is sometimes a total dis continuity of practical applied design, favouring wild fanciful aesthetics, or whatever is used to make a image look "pretty". As a illustration that is totally the right approach, but the forethought on design is often missing. And it is this aspect, that can really sell and enhance the believability of any illustration or design further
Much akin to allowing someone to run, without going through the steps of learning to stand, walk or crawl - have you ever noticed that its only toddlers who run around aimlessly with pure joy. but as soon as it confronts obstacles or needs to stop, it becomes hesitant/unsure what to do. This is the fundamental crux that may confront most current artist - they enjoy the flight of painting pretty pictures, sometimes just going into the zone (but this is really painting on autopilot like a mindless zombie, without much active cerebration)
Getting back to design and fundamentals, it is thus vital to instill a sense of practical design and reaching a nice blend of design forethought without getting too bogged down in a illustration.
Once a illustration gets too firmed up, its far too easy to render and noodle details and before you know it, some parts of a image may look great in isolation, whilst other elements languish
So, with that lengthy preamble, let us analyze the idea of tackling a existing IP
The newer Prometheus body suit designs tend to reflect a more contemporary slimline look and feel. The bubble helmets become suddenly clear thoughout, and the more conventional cosmonaut look/feel has been ditched.
For a producer, this can create some creative pains.
Does one stick faithfully to that of old for the sake of continuity, or does one re intepret it totally from scratch eg. JJ Abrams Star Trek reboot and give it a new lease of life (in a new alternate timeline)
Ridley Scott keeps some of the main defining cues, and probably with the lens of experience has decided to ditch that which is clunky (that may look quite out of date) and go with a compromise of new and old
Reintepreting existing old IPs in a new lens is a total minefield, and if one is faithful to the source, there can still be space to produce somethign fresh and liberating as long as one has a skillful hand to curate what is needed to tell a good story
Next time: Old CRT and monitor displays vs newer flat panel displays, sexy holographics and User Interface.